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#102 Oct 16 2009 at 11:01 PM Rating: Good
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I do get it. I think you fall into the trap that alot of people do here. They assume if someone disagrees with their point that they don't understand it.
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#103 Oct 16 2009 at 11:18 PM Rating: Good
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Yes. Not in all cases but in this case and some others.


Why would that be the case? Furthermore, how can it be the case?

Writers don't get to decide their canon anymore than christ got to pick his.
#104 Oct 16 2009 at 11:46 PM Rating: Good
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Pensive the Ludicrous wrote:
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Yes. Not in all cases but in this case and some others.


Why would that be the case? Furthermore, how can it be the case?

Writers don't get to decide their canon anymore than christ got to pick his.


Because Orwell as very upfront about his point of view and his work wasn't that ambiguous. Also, I don't know why you question how I can't believe it. The idea of intentional fallacy is not some eternal construct of truth but a viewpoint adopted by some literary critics grappling with the limitations of modernism.

Edited, Oct 17th 2009 1:47am by Annabella
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#105 Oct 16 2009 at 11:58 PM Rating: Decent
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The idea of intentional fallacy is not some eternal construct of truth but a viewpoint adopted by some literary critics grappling with the limitations of modernism.


A construct of truth? Of course not. It is, however, an eternal construct of epistemology.

Whether or not we have the right of what an author wants to say is completely beside any point of importance that could ever come out of someone's work. Even asking the question about the author instead of the text shows a necessarily misguided um... hermeneutic. Can we possibly know what an author means when they write something? Probably. Should I care even in the slightest? No.
#106 Oct 17 2009 at 12:06 AM Rating: Good
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Whether or not we have the right of what an author wants to say is completely beside any point of importance that could ever come out of someone's work.


...in your opinion. And I'd be curious why you think it is an "eternal truth of epistemology," a contradictory statement if I ever heard one and obviously based on some problematic premise.

I am always surprised how many people study logic and philosophy and think they stumbled into some font of universal truth, even though the constructs they study question the very nature of knowledge and understanding.

Edited, Oct 17th 2009 2:08am by Annabella
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#107 Oct 17 2009 at 12:32 AM Rating: Decent
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And I'd be curious why you think it is an "eternal truth of epistemology,"


It's called having humility.

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a contradictory statement if I ever heard one and obviously based on some problematic premise.


Oh, certainly: the premise of "not making fraudulent leaps in psychological judgments" is severely problematic.

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I am always surprised how many people study logic and philosophy and think they stumbled into some font of universal truth


I am giving you the befit of the doubt here, and assuming that you are speaking in general, and not of what I've said to you, because you actually would have missed the point in that case.

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...in your opinion.


Of course it's my opinion. Everything you can assert is an opinion. My opinion is born of a certain value; if someone doesn't share that value, then there could never be resolution. The value, however, is one of honesty and candor about our position with regards to art and literature, and even essays and epistles really. I can't say that bothering to intuit the spirit of an author is bad in any real sense (because nothing is bad in any real sense) but I can say that it's at worst dishonest and at best totally irrelevant.

Edited, Oct 17th 2009 2:36am by Pensive
#108 Oct 17 2009 at 12:38 AM Rating: Good
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I am giving you the befit of the doubt here, and assuming that you are speaking in general, and not of what I've said to you, because you actually would have missed the point in that case.


Ok, so what is the point? I think you are more definitive than you like to think you are.

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I can say that it's at worst dishonest and at best totally irrelevant.


And I can say that I definitely disagree, at least as dismissing the life and viewpoint of an author as relevant to their meaning. Throughout my academic career of studying philosophers, psychologists and all sorts of literary figures, their life, their viewpoints and contexts were ALWAYS viewed as important. You don't really get much about Freud, for example, if you don't get who Freud was, his social and family context. It isn't just about how people receive the work. Orwell is the same way.

There is something very western and patriarchal about decontextualizing a piece of work--or rather making the assumption that the intent of the author is meaningless. And it's interesting to do it in the case of Orwell, who wrote transparent critiques about the systems and regimes he deemed problematic. He's a man where his life, his experience and his context really mattered and added richness to his work.

Understanding intent is an enterprise that employs similar skills as analyzing any other historical or psychological phenomenon. You look for inferences and correlations and it adds to your understanding of the text. There is very little ambiguity in the case of 1984, particularly if you read anything else by Orwell. Claims that it is ambiguous rests on ignoring alot of facts about the entire context in which the book was written.

Edited, Oct 17th 2009 3:16am by Annabella
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#109 Oct 17 2009 at 1:18 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
There is something very western and patriarchal about decontextualizing a piece of work--or rather making the assumption that the intent of the author is meaningless.

I knew from the second you used the word "dismiss" that you were going to lose it here. There may be some correctness in the point you are trying to make Anna, but there is none in the way you are trying to reach it.
#110 Oct 17 2009 at 1:21 AM Rating: Good
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Allegory wrote:
Annabella, Goblin in Disguise wrote:
There is something very western and patriarchal about decontextualizing a piece of work--or rather making the assumption that the intent of the author is meaningless.

I knew from the second you used the word "dismiss" that you were going to lose it here. There may be some correctness in the point you are trying to make Anna, but there is none in the way you are trying to reach it.


Ah, the condescension. How are you, Allegory? You want to explain that there?
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#111 Oct 17 2009 at 1:51 AM Rating: Good
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I don't think it is condescending to point out that linking masculinity to literary deconstruction is absurd. You are at the point of using random modifiers with which you associate negative connotation.
#112 Oct 17 2009 at 2:03 AM Rating: Good
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Allegory wrote:
I don't think it is condescending to point out that linking masculinity to literary deconstruction is absurd. You are at the point of using random modifiers with which you associate negative connotation.


You mean thinking about modes of thinking being patriarchal vs. matriarchal? Are you going to take it personally or something? I mean, Jesus, you went to college. This type of questioning or criticism shouldn't be anything new.

First of all, intentional fallacies is only one aspect to literary deconstruction, so we aren't talking part in parcel that I'm criticizing literary deconstruction as an enterprise. Second of all, there is something patriarchal about decontextualizing an author's life from their work. I think it's a western, patriarchal concept that's very different than seeing the personal as political (to use a cliche) and to view someone's literary output as having meaning based on them as being part of a community--part of understanding who they are is to understand their voice and how they might represent a mode of thinking different than the dominant discourse..

Now an interesting discussion would be what happens when communities interpret a work differently, using it for uses according to their own social beliefs and moires but as student of history, psychology and society, I can't just dismiss the intent of the author to focus on the text, even if I can only gather inferences.




Edited, Oct 17th 2009 4:09am by Annabella
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#113 Oct 17 2009 at 2:26 AM Rating: Decent
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I don't really want to have a discussion about it, but I think you'd feel I was simply being a **** if I just left after trying to lend a hand.

Trying to attach a Western attribute to decontextualizing a piece of work might be truthful in that Westerners do this not infrequently, but it is completely and wholly irrelevant. Trying to attach a patriarchal attribute to the act is absolutely absurd. I chose to focus on that latter because I thought it was more apparent.

Think about it. Is it therefore matriarchal to consider/focus on author's intent? What about fascism? Can we attribute fascism to decontextualizing a piece of work?

I know what your ultimate point is, and to an extent I agree with it, but you are not making much sense in how you are getting there, well, beyond "Just because people pervert the meaning of your works doesn't make it a critique of socialism or a celebration of the 3rd Reich, respectively."

Edited, Oct 17th 2009 3:26am by Allegory
#114 Oct 17 2009 at 2:26 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
Second of all, there is something patriarchal about decontextualizing an author's life from their work.


That's inane. What on earth is patriarchal about the suggestion that the author isn't the only one who determines the meaning of a text? You're just stapling generic derogatory terms onto the concept so you don't have to do the work of actually criticising it.
#115 Oct 17 2009 at 2:36 AM Rating: Good
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zepoodle wrote:
Annabella, Goblin in Disguise wrote:
Second of all, there is something patriarchal about decontextualizing an author's life from their work.


That's inane. What on earth is patriarchal about the suggestion that the author isn't the only one who determines the meaning of a text? You're just stapling generic derogatory terms onto the concept so you don't have to do the work of actually criticising it.


zepoodle wrote:
What Orwell meant has very little relevance. What's important is how the reader interprets it.


This is what I disagree with--this is decontextualizing Orwell as an author--not focusing on who he is and what he meant.

Seeing an authors background or intent as being irrelevant to the meaning of the work ignores the modes of thinking embedded in the work that aren't apparent if the author's perspective as a member of his or her community are not considered and the intent by some authors to challenge the dominant discourse.

I have the feeling you guys really don't know what a patriarchy is in anything but a superficial way and that's why it seems arbitrary. You assume I am calling zepoodle sexist whereas I am really talking about a dominant belief system that contain certain views about the role of the author and the nature of truth while simultaneously denying that it is upholding these constructions.



Edited, Oct 17th 2009 4:41am by Annabella
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#116 Oct 17 2009 at 2:47 AM Rating: Good
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Annabella, Goblin in Disguise wrote:
You assume I am calling zepoodle sexist

No, I am assuming you don't know what a patriarchy is. We both told you exactly what we thought, that you are arbitrarily using the word for its derogatory connotation. You took the time to disagree with our comments, but you didn't take the time to read them. That is not a generic "I'm not wrong, you're just not understanding/comprehending/reading," comment. That is a wholly honest statement.
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I don't think it is condescending to point out that linking masculinity to literary deconstruction is absurd. You are at the point of using random modifiers with which you associate negative connotation.

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That's inane. What on earth is patriarchal about the suggestion that the author isn't the only one who determines the meaning of a text? You're just stapling generic derogatory terms onto the concept so you don't have to do the work of actually criticizing it.

Annabella, Goblin in Disguise wrote:
I have the feeling you guys really don't know what patriarchy in anything but a superficial way and that's why it seems arbitrary... whereas I am really talking about a dominant belief system that contain certain views about the role of the author and the nature of truth while alternately denying that it is upholding these constructions.

We know what a patriarchal characteristic is; you do not. You are attempting to overextend the meaning of the word. It's not a belief system at all, it's a social system and applies in a very limited context. We aren't using the "superficial" meaning, we are using the literal meaning of the words and terms. You're using Anna's personal dictionary.

Edited, Oct 17th 2009 3:47am by Allegory
#117 Oct 17 2009 at 2:52 AM Rating: Good
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I'm guessing that you don't know much about feminist literary or social theory if you think that patriarchy "[is]s a social system and applies in a very limited context." It's not my personal definition. You can disagree with the field of feminist theory but to act like I made this up is silly.
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#118 Oct 17 2009 at 2:54 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
This is what I disagree with--this is decontextualizing Orwell as an author--not focusing on who he is and what he meant.


It's irrelevant when considering the effect a text has on a person and what message - political, philosophical or otherwise - they will draw from it. When you ask a person what they thought a particular text's message was, you're asking a question of the person, not of the author.

I mean, that's what I was saying originally to Pensive. What kind of message people draw from a game like Bioshock has more to do with the person than it does the creators. I mentioned 1984 just as an example, because people often read it as an anti-socialist novel in spite of Orwell's intentions.

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You assume I am calling zepoodle sexist whereas I am really talking about a dominant belief system that contain certain views about the role of the author and the nature of truth while simultaneously denying that it is upholding these constructions.


Your argument would be significantly aided by the choice of a less ambiguous term, then. Something that doesn't have any sexist connotations to confuse us.
#119 Oct 17 2009 at 2:56 AM Rating: Excellent
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Something that doesn't have any sexist connotations to confuse us.


You have got to be able to manage critiques of society that acknowledge who has been in power without taking it personally or simplifying it.

I get your point, zepoodle. I just don't agree with it--more in degree than in anything else. It's more like I thought you overstated the importance of the audience at the cost of the author.

Edited, Oct 17th 2009 5:00am by Annabella
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#120 Oct 17 2009 at 3:02 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
I'm guessing that you don't know much about feminist literary or social theory if you think that patriarchy "[is]s a social system and applies in a very limited context." It's not my personal definition. You can disagree with the field of feminist theory but to act like I made this up is silly.

That is not how the concept of a patriarchy is applied in feminist literary critiques. Feminist theory does not agree with you. This is your personal definition.

I'm just done. You're choosing to be stubborn; you don't care about intellectual honesty.

Edited, Oct 17th 2009 4:03am by Allegory
#121 Oct 17 2009 at 3:03 AM Rating: Good
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Allegory wrote:
Annabella, Goblin in Disguise wrote:
I'm guessing that you don't know much about feminist literary or social theory if you think that patriarchy "[is]s a social system and applies in a very limited context." It's not my personal definition. You can disagree with the field of feminist theory but to act like I made this up is silly.

That is not how the concept of a patriarchy is applied in feminist literary critiques. Feminist theory does not agree with you. This is your personal definition.


I'll email my professors and tell them that this isn't how they think. Allegory knows better.
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#122 Oct 17 2009 at 3:04 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
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Something that doesn't have any sexist connotations to confuse us.


You have got to be able to manage critiques of society that acknowledge who has been in power without taking it personally or simplifying it.


You're really not helping.

When you say "patriarchy" do you mean "societal construct dominated by men" or do you refer to any generic dominant societal construct? If so, why are you saying "patriarchy" and not "dominant societal construct"?

Annabella wrote:
I'll email my professors and tell them that this isn't how they think. Allegory knows better.


You should be fully aware that the opinion of someone's professor is far from definitive, Annabella. After all, you're the one who always tells us that our professors are idiots and our university educations haven't taught us anything.

Edited, Oct 17th 2009 9:07am by zepoodle
#123 Oct 17 2009 at 3:05 AM Rating: Decent
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I would very much like for you to link them to this thread asking them to read through it and respond on this specific point.
#124 Oct 17 2009 at 3:13 AM Rating: Good
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Oriental? It isn't Western vs. Oriental; there is a multiplicity of viewpoints and western is just one of them. Western viewpoint can have a very specific way about separating meaning from intent.

The patriarchy--in contemporary circles and in literary theory, represented by the dominant power structure-- represented by traditional masculine power but not including those who don't fit into that structure. It depends on what level you are speaking but it can exclude ***** people, men of color, disabled men and anyone else who doesn't fit into the power structure. Acting like the power structure isn't gendered I think is problematic and misses the point but that isn't the end of the story and it also doesn't assume that men aren't victims of the system and the mode of belief as well. It's all complicated and difficult to explain in short bursts late at night.

Now it is 5AM and I probably should go to bed. Smiley: mad I have to read tomorrow about validity and its too dry to read it while tired.


Edited, Oct 17th 2009 5:20am by Annabella
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#125 Oct 17 2009 at 3:59 AM Rating: Decent
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Annabella, Goblin in Disguise wrote:
The patriarchy--in contemporary circles and in literary theory, represented by the dominant power structure-- represented by traditional masculine power but not including those who don't fit into that structure. It depends on what level you are speaking but it can exclude ***** people, men of color, disabled men and anyone else who doesn't fit into the power structure. Acting like the power structure isn't gendered I think is problematic and misses the point but that isn't the end of the story and it also doesn't assume that men aren't victims of the system and the mode of belief as well. It's all complicated and difficult to explain in short bursts late at night.


None of this explains its relevance to hermeneutics.
#126 Oct 17 2009 at 5:33 AM Rating: Good
The concept of proof is inherently masculine.
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