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#52 Nov 29 2008 at 11:39 PM Rating: Decent
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review Fur starring Nicole Kidman for me.

Smash wrote:
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Awesome if you had any idea who Diane Arbus was before watching. I suspect it'd be a nightmarish confusing mess if you didn't.



He's right and in case of confusion, here are some famous works from Arbus that may be somewhat familiar.


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#53 Nov 30 2008 at 12:24 AM Rating: Good
Perhaps that was it with me and Apcolypto. I am a granulated ASU history major and I liked its feel for the era. Personally I liked Gladiator with Russel Crowe but I thought it was overrated. The scene where they pan thru a live ancient rome with the Colesium intact mmmm /chubby. The story is decent and worth a 3 star on its own for entertainment, but add on what it brought from the Roman timeframe in imagery and it is a 4 star flick.

Of course I am weak like that generally any movie that shows boobs gets an automatic 1 star for that alone from me. God knows I have stayed up late many times growing up, pre such easy internet access ****, watching some god Awful movies late on Cinemax Friday nights just for that 1 star.
#54 Nov 30 2008 at 1:03 AM Rating: Good
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In Bruges rammed home for me the importance of soundtrack in setting the mood.

In Bruges has a lovely sweetly melancholic classical music soundtrack. The type of music I'd like to have on in the background at home, depending on my mood. Halfway through the movie, something really quite exciting happened, and it looked like things were just about to get worse, yet I was sitting there thinking "God this film is so boring, down-tempo, morbid and slooooooow, I really hope it picks up, why were people saying this is a great black comedy?" The music was mournfully wending it's way as Colin Farrel sat on a train. I thought: "why are people calling this a comedy at all? What's been at all funny or interesting in this movie?" And it occurred to me, as I replayed the plot and scenes in my head, that the closest movie I could think of to this one was actually Pulp Fiction. Indeed they had quite a few similarities.

But the difference was that Pulp fiction had all this fast, poppy, uptempo, retro-cutesy music. So I started replaying In Bruges scenes in my head (which I had time to do as Colin sat mournfully on the train) except I imagined some 50s/60s/70s pop rock music to the scenes. Things like California Dreaming. The scenes suddenly leapt out with adrenaline. Even his train journey in the circumstances he was in suddenly became freighted with excitement and anticipation, instead of gloom and boredom.

Watching the second half of the movie was very interesting, as I shuttled between listening to the actual classical soundtrack, and playing exciting techno music in my head to go with the limping and injured gun battle.

Oh, I recommend this movie, by the way, if you like arthouse and foreign films. If you have to have your action movies Hollywood, then you probably won't want to sit through this. Even though this is, underneath all that smotheringly depressing music, quite the little slow-burning thriller-action-comedy, very black indeed. I like it much more in retrospect, now that I can remember what happened and don't have to sit through it all. Smiley: grin

Edited, Nov 30th 2008 4:07am by Aripyanfar
#55 Nov 30 2008 at 12:08 PM Rating: Decent
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I've always hated fans of Arbus more than Arbus herself.
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#56 Nov 30 2008 at 8:51 PM Rating: Good
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Heh, when Mrs. Totem and I reference a *really* bad movie, Fur is the gold standard by which all others are judged. Mind you, it wasn't that the movie had bad acting, cinematography, or anything like that, so much as it was the quintisential artsy-fartsy movie, almost twice as bad as The Dreamers with Eva Green, aka Vespers in Casino Royale.

Horrrrrrrible.

Totem
#57 Dec 01 2008 at 8:09 AM Rating: Good
Totem wrote:
almost twice as bad as The Dreamers with Eva Green, aka Vespers in Casino Royale.

Horrrrrrrible.

Totem


Sorry Totem, but are you calling 90 minutes of a completely topless Eva Green "horrible"??

It's like I don't even know you anymore, man...
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#58 Dec 02 2008 at 10:50 AM Rating: Good
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When do we get our reviews!
#59 Dec 02 2008 at 10:55 AM Rating: Decent
Totem wrote:
Heh, when Mrs. Totem and I reference a *really* bad movie, Fur is the gold standard by which all others are judged.
Totem


The wife and myself have one like that, called Solaris. We usually refer to it as "Make no damn sense" flick.
#60 Dec 02 2008 at 10:58 AM Rating: Excellent
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Just as an update, Netflix said it was sending the first couple of flicks yesterday.
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#61 Dec 02 2008 at 11:43 AM Rating: Excellent
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Kaelesh wrote:
Totem wrote:
Heh, when Mrs. Totem and I reference a *really* bad movie, Fur is the gold standard by which all others are judged.
Totem


The wife and myself have one like that, called Solaris. We usually refer to it as "Make no damn sense" flick.


I have a friend that measures bad units of time by Dances With Wolves..."Man, that date felt like it was 2.5 dances with wolves long."

Nexa
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#62 Dec 02 2008 at 2:55 PM Rating: Decent
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I have a friend that measures bad units of time by Dances With Wolves..."Man, that date felt like it was 2.5 dances with wolves long."


Dances with Wolves is one of the few chasms in our commonality. While you own the extended directors cut, I walked out of the theater in disgust at about 45 minutes in.
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#63 Dec 26 2008 at 2:21 PM Rating: Excellent
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Well, it took me forever but I watched In Bruges while here in VA for the week. Someone above called it good but not a must-see and I agree with them.

Plot: Good. Kept me interested. Was a little slow moving at times but in your standard indie/arthouse style which really just means that every moment wasn't filled with gunfights and lasers and car chases. A few predictable moments but nothing too bad.

Acting: Pretty good. Nothing spectacular but nothing that took me out of it, either. The funny parts made me laugh and it had a pretty good low-key comedic vibe through most of it. The only thing that really took me out was the inclusion of Jordan Prentice, aka "That dwarf you always see in the movies who isn't the one from Austin Powers". I suppose it's not his fault but seeing him just makes me think "Hey, it's that one dwarf..." Colin Farrell apparently didn't bother me half as much as he did Smash.

Everything else was fine. The soundtrack was standard tinkly piano fare you hear in indie & artsy films. The scenery was nice to look at. If you enjoy mob/gangster type flicks, don't mind dialogue in your films and can put up with Colin Farrell, I say go for it. It won't change your life but it'll probably entertain you for a few hours.

Edit: Apparently, I was thinking of Peter Dinklage when I was referring to the dwarf who I always see. Which I guess means that I think dwarves all look alike.

Edited, Dec 26th 2008 4:56pm by Jophiel
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#64 Dec 26 2008 at 2:54 PM Rating: Decent
I was thinking about seeing "Bee Movie", but never got around to it. Any good? Also, if you could do a review on "Flags of our Father" and "Sands of Iwo Jima", I'd really appreciate it. I've seen a bit of "Sands" but as I was playing computer games at the time, I had to switch channels. Couldn't concentrate on reading subtitles while playing. I have heard both were amazing, but these "reviews" were done by my republican friends who adore Clint Eastwood. I'm an Eastwood fan, but I want to see if these suffer from fan-dom or if they truly are good. (Oh, if you can do one on Gran Turino, that'd be icing... I know its still in theaters, so no worries if you can't).

Also, "handload" is such a generic term. For example, the ideal handload I have found through the chronograph and at 25 yards for my full sized .45 1911 (Dan Wesson Pointman 7) for a 230g TMJ by Rainier using Remington large pistol primers was 4.5 grains of Hodgdon Titegroup powder. Change any of those variables and you will see differences in performance. Just because a bullet is "handloaded" doesn't necessarily mean it is the best or ideal "recipe". For most self-defense purposes, however, shooting at <21 feet, you'll want to use a +P or even a +P+ round. The +P exceeds the recommended powder charge and +P+ exceeds it by a lot. Both of these can potentially damage your firearm and yourself, because of the higher pressures generated. THe +P+ is usually not recommended for .40 and 9mm, but may be ok in certain .45 with a fully enclosed chamber. The proper powder also needs to be used as well. For example, 4.5 grains of Titegroup seems to burn completely as the bullet is leaving the barrel, meaning, if I wanted to use more, the extra powder would complete burning outside of the barrel leading to excessive flash, bang, and general waste. I would have to switch to a faster burning powder if I wanted to pack more into the casing and gain the extra muzzle velocity.

Edited, Dec 26th 2008 4:09pm by SaitohTheNinja
#65 Dec 26 2008 at 3:06 PM Rating: Default
The Darjeeling Limited, Sweeny Todd.

Apocalypto was flashy, but I've seen better
Atonement was awesome, and I'm really not even into those types of movies. It really just makes you stop and think.
Princess Monanoke was excellent as well, and I also recommend Howls Moving Castle.
#66 Dec 26 2008 at 11:00 PM Rating: Excellent
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I liked "Spirited Away". I'm sure you've seen that, though. If you haven't, get it.


"Duey Cox" was a cynically funny movie. Smiley: laugh


#67 Dec 27 2008 at 3:10 PM Rating: Decent
Kazaam.
#68 Dec 27 2008 at 9:14 PM Rating: Good
Lawrence of Arabia

Recently saw it for the first time, & even for a movie made in 1962 it still holds up.

It's just a tad long.

But the acting is good & the scale is enormous, considering the technical limitations of the time it was made (No CGI!).
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#69 Dec 27 2008 at 10:07 PM Rating: Excellent
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I think Saitothe... was really referring to "Letters from IWO JIMA" in his second film, not the JONWIN classic "Sands of Iwo Jima" The first film in which he died.
The Jonwin film was very good action for its time, solid acting from a lot of folks.
"Letters from Iwo Jima" was an interesting view from the Japanese side. Well done, I watched it when it was first broadcast on TV and caught parts of it again.
If you have an interest in WW2 these two films are not a waste of time. Unless you are looking for nudity and hot sex.
#70 Dec 28 2008 at 4:27 PM Rating: Decent
Jonwin wrote:
I think Saitothe... was really referring to "Letters from IWO JIMA" in his second film, not the JONWIN classic "Sands of Iwo Jima" The first film in which he died.
The Jonwin film was very good action for its time, solid acting from a lot of folks.
"Letters from Iwo Jima" was an interesting view from the Japanese side. Well done, I watched it when it was first broadcast on TV and caught parts of it again.
If you have an interest in WW2 these two films are not a waste of time. Unless you are looking for nudity and hot sex.


Thank you! I was referring to "Letters". Thanks for the thumbs up on it as well!
#71 Dec 29 2008 at 3:08 PM Rating: Decent
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I'll toss out a few reviews:

Flags of our Fathers:

An "Ok" film. The biggest problem I had with it is that one of the major plotlines really wasn't that interesting (either to me as a viewer or the public as portrayed in the film, which may or may not have been the point). That the picture was staged when snapped rather than being the actual "first" time a flag was planted on that hill didn't really matter to anyone at the time, and just wasn't that interesting in the film either. When watching the film, it almost felt like they originally intended to do more with this, but edited it out, so you're left with this half-plot that doesn't really go anywhere.

As a story about reluctant "heroes" it worked pretty well. I guess what threw me was that this film tried to be half about the war (lots of combat scenes, mostly in flashback), and half about the political/propaganda side, and how the main characters didn't think of themselves as heroes, but had to play the part for the war effort. It was an interesting dynamic, but didn't work for me that well. Eastwood clearly wanted to have lots of combat scenes, but without an actual plot revolving around them, they were kinda displaced and disjointed.

There are better films out there about war heroes dealing with the aftermath of combat, and there are better films out there dealing directly with combat. This film tries to balance the two and fails at it IMO. Should have gone one direction or the other IMO.

Not a waste of an evening, but I wouldn't buy it or anything.


Sweeny Todd:

This was actually a fun film (in a twisted way). The cinematography is great and captures the feel of the play pretty well. When I saw it in the theater, it was amusing to see a couple of families who apparently didn't realize that this wasn't a cute Disney film by Depp. Seeing parents dragging their kids out of there within the first 15 minutes as this truth dawned upon them was worth the price of admission all by itself. I'm not sure how much therapy they'll be paying for though...

It loses a lot on a smaller screen though. I watched it on DVD and it just didn't have the same feel as it did in the theater. The story is still there, and just as viciously fun as ever, but it was clearly filmed with a large screen in mind. Lots of busy stuff on the screen going on, in dim dull colors. All tends to get lost on a TV screen.

This is one of those films that if you haven't seen, it'll probably be worth renting. If you like it, get it for your collection. You have to be in the right frame of mind to see it, and some people will just not like it no matter what, but that's true of most good films.


The Hulk:

Just saw this recently on blueray (*cough* BD! Hah!). I agree with the Ed Norton appraisal, but then the man is pretty brilliant at just about everything he's been in. In terms of plotline, this was the film that the earlier Hulk movie should have been. If you were at all a Marvel follower, that earlier work was just "wrong" on many levels. This version did a very good job of fitting into the classic Hulk character and a clear direction Marvel is going towards a future Avengers film *and* managed to pay homage to the TV series as well (even had bits of the music in there on occasion).

The acting was mostly good, but honestly who watches the Hulk for acting? I didn't really get either Ross character though. Jennifer Connelly was a much better choice for Betty than Liv Tyler (sad that she got stuck in the "crappy" version of the Hulk). Hurt really just kinda sucked at General Ross. I suspect he never could quite figure out if he was supposed to be playing a truly bad guy, or just someone obsessed a bit. He alternated between wanting to protect his daughter and not caring if she was in the line of fire if it got what he wanted. Honestly, that was the one glaringly "bad" part of the film. That character just didn't work the way it was portrayed. To be fair, the original comic book character was pretty one-dimensional, but you'd think they'd have drawn on some inspiration more recent than that. They kinda tried to do this at the end of the film, but it still fell flat.

Norton's take on Banner was just about right IMO. The "Banner on the run" aspect of the classic Hulk storyline is one that most people will relate to, was a good choice for this film, and he pulls it off. He's a bit "clever" about it (always has a wink and a swagger to him, doesn't he?), but that's Ed Norton for ya...

Obviously, if you're a comic book fan, and/or just like action flicks, you'll likely love this film. There's enough of a character plotline in the film to carry it (although just barely). Roth was great. It's pretty clear from the deleted scenes that they were originally going to go with a much more detailed and explained plot, but Roth did such a good job with his gradual descent into insanity that they felt this could carry the main storyline (and it honestly does). It's a simple storyline, but it works in this context. And in the broader Marvel storyarc they're moving towards, it fills the role it's supposed to.
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#72 Dec 29 2008 at 3:25 PM Rating: Decent
The Spirit

This film first piqued my suspicion when I realised I had no idea what it was actually about after watching the trailer. I then discovered it was an adaptation from a newspaper comic, and almost didn't go. The fact that I later decided to watch it proves that wisdom does not necessarily increase as you age. I checked Rotten Tomatoes afterward and was vindicated when I found the film had a rubbish score (currently 14%).

I could list a number of problems with the film - a script that was probably shredded the night before filming (at least, I assume the filming took a day, from the quality of acting) and hastily reassembled with little regard for sense. Battling through the film is a chore, and one without reward, as the film has the depth of a puddle of **** in Nottingham city square. What I'm trying to get at here is that the film's bad - really bad. If you have to watch it, buy the DvD, get really drunk, mute the sound and look at the pretty pictures.
#73 Dec 29 2008 at 3:28 PM Rating: Decent
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That the picture was staged when snapped rather than being the actual "first" time a flag was planted on that hill didn't really matter to anyone at the time, and just wasn't that interesting in the film either.


Haven't seen the film, but I suspect the premise would be interesting to those who have even a minuscule level of concern about the influence of propaganda and how rarely it coincides with reality.

It's apparent why you'd be bored it, of course.


Just saw this recently on blueray (*cough* BD! Hah!). I agree with the Ed Norton appraisal, but then the man is pretty brilliant at just about everything he's been in


He sucks. He's ludicrously overrated, self aware, and incredibly boring to watch. His last interesting performance was in Fight Club. Everything he's done in this century blows donkey.

Pride and Glory sucked. He sucked in the Hulk movie. He was painfully bad in the Painted Veil. The Illusionist was a rarely seen battle of overacting talentless hacks attempting to upstage each other, but I'd have give the Sopping Wet Douchebag Trophy to Norton. Giamiti put forth a noble effort, but you just can't out Douche Norton for two hours, no one can. Well, I take that back, perhaps if the entire cast of Entourage worked as a team...

Returning to Norton sucking: He sucked in Down in the Valley. He sucked in Kingdom of Heaven, although at least the mask kept me from having to see his face shouting "Ohhhh!! I'm in anguish ova hea!!! See my anguish!!! I have Leprosy, have I mentioned??"

He was outshone by FUCKING Markie Mark in The Italian Job, even though he had by far the better role. I could go on, but I'm about to puke just thinking about the guy.

Nexa and I watched Slumdog Millionaire this weekend, it was great. Hannah went to see Desperaux with her dad, but I haven't heard her review yet.

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To make a long story short, I don't take any responsibility for anything I post here. It's not news, it's not truth, it's not serious. It's parody. It's satire. It's bitter. It's angsty. Your mother's a *****. You like to jack off dogs. That's right, you heard me. You like to grab that dog by the bone and rub it like a ski pole. Your dad? Gay. Your priest? Straight. **** off and let me post. It's not true, it's all in good fun. Now go away.

#74 Dec 29 2008 at 4:56 PM Rating: Decent
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Smasharoo wrote:

That the picture was staged when snapped rather than being the actual "first" time a flag was planted on that hill didn't really matter to anyone at the time, and just wasn't that interesting in the film either.


Haven't seen the film, but I suspect the premise would be interesting to those who have even a minuscule level of concern about the influence of propaganda and how rarely it coincides with reality.


Guess I wasn't clear enough. It wasn't interesting because it was basically brushed off, not only by the characters in the film, but also by the writers of the film. It was just mentioned and then more or less ignored. Essentially, it was just tossed in as one of many things that made those who were being paraded around as heroes to feel uncomfortable about their situation. There was no real treatment of that aspect of the story beyond that though.

It wasn't a "bad" film. It just didn't hit on any of the three points that could have been the focus. It missed as a "war/action" film because while there were lots of combat scenes, they were disjointed flashbacks, so anyone looking for a story there (other than the personal reflections of the characters on their experiences) would be disappointed. The propaganda angle was there, but not really explored, so if you were looking for that, you'd also feel like you didn't get what you wanted. The strongest aspect of the film was really on the personal impact of the war on the main characters (and the internal contrast between being treated as heroes while not feeling like they'd been so on the battlefield). This part was "ok", but could have been done better.

It just felt off-balance. Those three aspects weren't really tied together well enough to pull off the film IMO. I watched it once and while I didn't hate it, I've never felt any desire to watch it again.

Quote:

Just saw this recently on blueray (*cough* BD! Hah!). I agree with the Ed Norton appraisal, but then the man is pretty brilliant at just about everything he's been in


He sucks. He's ludicrously overrated, self aware, and incredibly boring to watch. His last interesting performance was in Fight Club. Everything he's done in this century blows donkey.


Red Dragon.

Edited, Dec 29th 2008 4:56pm by gbaji
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#75 Dec 29 2008 at 5:10 PM Rating: Decent
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Red Dragon.

Awful. Fiennes was the only thing memorable about that movie. Norton made Jodie Foster look like a genius with that completely forgettable Reeves-like performance.

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Disclaimer:

To make a long story short, I don't take any responsibility for anything I post here. It's not news, it's not truth, it's not serious. It's parody. It's satire. It's bitter. It's angsty. Your mother's a *****. You like to jack off dogs. That's right, you heard me. You like to grab that dog by the bone and rub it like a ski pole. Your dad? Gay. Your priest? Straight. **** off and let me post. It's not true, it's all in good fun. Now go away.

#76 Dec 29 2008 at 5:12 PM Rating: Good
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Smasharoo wrote:
Red Dragon.

Awful. Fiennes was the only thing memorable about that movie. Norton made Jodie Foster look like a genius with that completely forgettable Reeves-like performance.

I concur.

On the subject of Hannibal Lecter movies, I'm labelled an Heretic for challenging Tony Hopkins as the best Lecter.

Watch Manhunt, and Brian Cox (so underestimated) is twice as chilling by his naturalistic performance. No melodrama. No fava beans. Just fUckin' scary
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