One of the things that was glaringly obvious during this episode is that Kring is more interested in character development and "angst" then he is with realistic storytelling with regard to the action of any given episode.
There were a ton of different resolutions to that situation that any halfway decent RPG player could think of right off the bat.
Nikki could/should have just finished tearing Sylar apart. Why back off to go "protect your family"? Best way to do that is to spend the extra 5 seconds separating Sylar's head from his body. Instead, Peter steps in which leads us to the ultimate explosion problem in the first place. Why did he do that? Ok. Maybe he wanted to prove something, but then he didn't end up being the guy to kill Sylar anyway, so it was a pointless and silly gesture.
There were a couple of things with Hiro that bothered me. I understand that they have to show the action, but lets face it, he can freeze time. In the situation where Sylar was threatening to chop off Ando's head, why did they show Hiro teleporting from across the room to Ando, then grabbing him, and teleporting away. On the screen this took quite a bit more time then it should realistically have taken Sylar to kill Ando. Yeah. Artistic license, but the scene could have just as easily have either shown it from Hiro's view (he freezes time, runs over and grabs Ando, then teleports out), or Sylars (he blinks and they both just disappear). Heck. Why not freeze time, chop off Sylar's head and finish the whole thing right there? Problem solved. The only reason *not* to do that is becuase the writer thought that would be too easy (or Hiro somehow thought it would be unfair or something, which maybe would work. Maybe...).
On the roof, he again teleports in, pauses and then runs Sylar through. Sylar looks at him. Now, Sylar managed to spot Matt and react fast enough to telekinetically stop the bullets he fired, but he couldn't stop a guy with a sword? Silly. Presumably Hiro actually attacked much faster then that (taking advantage of his time freezing abilities), but it just wasn't shown that way. Again though, this is annoying. If he could do that then, why not do it earlier and save us all a lot of trouble? If he really was being honorable and giving Sylar a chance to defend himself, then his attack should not have worked. Once again, it works this time purely because the writer decided this was the correct time for it to work and for no other reason. Annoying.
Then there's the whole not finishing Sylar off (we're not sure if he's dead or not, but whatever). Um... Chop his head off. Takes an extra half second. Nope. He gets distracted by Peter glowing instead. You'd think a guy who can freeze time and teleport could say chop off Sylar's head, grab Peter, teleport him to a distant and remote location and be back before the next frame of the screen passes, but apparently the writers didn't think of that. Instead he stands there in indecision while Peter tries to talk him into killing him instead (again, why not teleport him before even considering killing him with the sword?). And Sylar conveniently stays alive just long enough to push Hiro off the roof and force him to teleport away instead (that whole bit I can almost buy, but is again clearly a writer cop-out).
Then there's the Peter exploding bit. They'd already worked out that Claire would pop him in the head. In fact, the entire reason it "can only be" her was because she could survive to get close enough if he was getting ready to explode. HRG was ready to do it as well (from a distance, cause he's a "pretty good shot"). Well, Claire shows up. She's ready to do just that. But despite her dramatic appearance at just the right time, she doesn't do it. Afterall, they know he'll survive. They even talked about where she would shoot him (presumably so they could remove the bullet later and he'd revive). Yet he's standing there facing her instead of presenting the back of his head. That actually bothered me quite a bit. It was just clear that they were standing around waiting for some other dramatic thing to happen instead of following the plan they'd already worked out ahead of time.
Then Nathan swoops in and saves the day. Ok. I understand that that whole point was for him to choose to be a hero instead of a villain. Great! And from a storytelling/character point of view, it works. But from a "what's the best way to resolve this problem" point of view it's idiotic. He's going to embark upon a course of action that will likely kill him (still up as to whether he died or not) in order to not take any of a number of actions that would also resolve the situation but would not result in anyone dying. Um... Why? Why not just have Claire pop Peter in the back of the head? Why not have *Peter* fly away instead? I actually kinda figured that maybe Peter can't really use more then one power at a time, and perhaps can't use the flying power that well at all anyway, so maybe that's why he didn't do it, but it's a reasonable idea and perhaps they should have maybe stated why he didn't do it or something? And maybe Nathan would rather risk his life and/or die then have his daugher have to shoot someone? Maybe. Just seems like a whole lot of people made a whole lot of stupid decisions just to end up in that situation in the first place.
And for all the drama, it sure took Peter a long time to explode. Like 3 characters arrive on the scene *after* he starts building up to nuke level. He couldn't stop it? I know... It was in the script.
Despite all of that, I still enjoyed the episode. I really wished they'd spent a bit more time thinking through the story and the specifics of the situation to make it more sensible, but it was still a finale of sorts. The major problems were resolved/faced by the heroes (which was the main point), and they end up with a hint of a new bad guy and Hiro back in time (I'm betting that's his father as well. According to the comics, one of the earlier set of heroes Linderman was hooked up with was supposed to be immortal). It still bookended the season well.
I think part of the problem is that Kring apparently had never read a comic book or knew anything about superheros prior to writing the series. That's good in that it's a "new take" on the genre, but it's also bad in that he'll make mistakes like that final conflict in which the actions simply don't make sense. For those of us who grew up reading superhero comic books, we could think of dozens of better ways to use their powers and are flummoxed when they seem so dense. Hopefully, he'll employ some writers who understand how to make a super powered fight work and avoid that sort of problem in future episodes.
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King Nobby wrote:
More words please