EndrilRM wrote:
3. Stephen King's The Stand and It: His 2 masterpieces, they showed how to write good character development, POV, etc.
The Stand was a labor of love to read. Good book, but definitely took some effort to get through the unabridged version. I prefer
IT, however. I think there is something absolutely wonderful about the way King brings these characters together as children and creates this bond of love between them, and then brings them together 27 years later and resurrects that bond, and makes it very real and convincing. The pacing toward the end as each section bounces back and forth between 1957 and 1984, one section leading into another so seemlessly that it often takes a moment to realize you've changed decades, is absolutely brilliant. It's one of the few books that actually moves me to tears in the last chapter, as Bill is dreaming about leaving Derry and the childhood he can't quite remember and how much he loved the children they were back then. Absolutely wonderful book.
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5. Mists of Avalon: Yes, it is a feminist version of the King Arthur story. So what? It's a great read and an interesting take on the legend. After reading this, then reading history and realizing just how many women were killed and/or subjugated is facinating.
I think it's somewhat misleading to call it a feminist novel. Certainly, subsequent to its publication, it has been claimed by feminists as a groundbreaking piece of literature, and for good reason, but I don't believe that Marion Zimmer Bradley wrote it with that particular agenda. As Bradley herself said:
Marion Zimmer Bradley via http://en.wikipedia.org/wiki/The_Mists_of_Avalon wrote:
About the time I began work on the Morgan le Fay story that later became MISTS, a religious search of many years culminated in my accepting ordination in one of the Gnostic Catholic churches as a priest. Since the appearance of the novel, many women have consulted me about this, feeling that the awareness of the Goddess has expanded their own religious consciousness, and ask me if it can be reconciled with Christianity. I do feel very strongly, not only that it can, but that it must... So when women today insist on speaking of Goddess rather than God, they are simply rejecting the old man with the white beard, who commanded the Hebrews to commit genocide on the Philistines and required his worshippers daily to thank God that He had not made them women... And, I suppose, a little, the purpose of the book was to express my dismay at the way in which religion lets itself become the slave of politics and the state. (Malory's problem ... that God may not be on the side of the right, but that organized religion always professes itself to be on the side of the bigger guns.) ... I think the neo-pagan movement offers a very viable alternative for people, especially for women, who have been turned off by the abuses of Judeo-Christian organized religions
(bolding mine)
From this, I read that Bradley intended the book to be not so much feminist propaganda, but a statement on the intermingling of politics and religion, which often leaves minority religions--and the people they represent--disenfranchised. If you read the full passage from which that exerpt was taken (linked at the bottom of the wikipedia page on the book) she professes skepticism about radical feminism. She seems to be writing from the standpoint not of promoting feminism, but of correcting Malory's oversight in omitting and misrepresenting the roles of female characters when he wrote
Le Morte d'Arthur The reason the feminist movement zeroed in on the novel was because it did something few novels (at the time at which it was written) had done--it acknowledged that there had been a place and time in history where women had weilded a considerable amount of power. But that's not agenda speaking--it's simply historical fact. The pagan tribes of Britain and a good deal of Europe were frequently both matrilineal and matriarchical, until the Roman conquest spread Roman concept of patrilinealism. As the only way to insure patrilineal descent, there needed to be an emphasis on virginity and marital monogamy for females, removing their personal freedoms with regards to how and when and with whom they had sex. In order to accomplish this, females were relegated to a secondary and more subservient status. This would, of course, create conflict with cultures where women were accustomed to a more prominent and powerful role and greater freedom of self-determination. Again, simple historical fact.
The spread of Christianity compounded this conflict, a great deal of Christian doctrine having been forumlated to merge and reinforce the "rightness" of both Hebrew and Roman patrilineal descent and patriarchical rule. Hence, the use of the fable of Eve being the originator of all sin to emphasize the "unworthiness" of females to share power with men, the upholding of Mary as the virgin archetype to which all women should aspire, and the Gospels setting forth edicts that women should be submissive and obedient.
So, I think it misrepresents the book a little to call it a "feminist" novel. To call it such conveys the idea that the novel was written with an agenda, and I don't think that argument can be very well supported. It is, however, a novel which acknowledges the historical existence of matriarchy and calls into question the often traumatic means by which patriarchy was promulgated.
Edited, Jan 7th 2007 2:55am by Ambrya